Showing posts with label Anupam Kher. Show all posts
Showing posts with label Anupam Kher. Show all posts

Mahesh Bhatt’s son to play Suicide Bomber in Anurag Basus movie

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Even though Mahesh Bhatt’s son is being investigated for being linked to terror suspect, David Coleman Headley, director Anurag Basu is on plans to launch him with the film, Suicide Bomber.


Basu has wanted to work on the film for very long since he loved working with the Bhatts on Murder and Gangster. But he got busy with Kites .



He also didn’t go ahead with a terrorism-based film, as the topic was very delicate then. But with the growing number of movies on terrorism now, like New York, etc. he has decided to get ready with Suicide Bomber.


Both Anurag Basu and Mahesh Bhatt have scripted Suicide Bomber.


Mahesh Bhatt is certain he wants Rahul to debut with Suicide Bomber only as he feels that it will help them to see the enemy’s point of view, which will put an end to terrorism.



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Director N Chandra is approached the Anupam Kher for the particular role-Short time!

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Director N. Chandra and actor Anupam Kher have rekindled their friendship of Tezaab-days with the film Yeh Mera India. It’s a social thriller that deals with several sensitive issues prevailing in modern India.



When N Chandra approached Anupam for the role, Anupam told him at the first place to narrate the film in five minutes and only then he will decide to go for the whole 50 minutes of narration. In five minute of narration N. Chandra convinced him to do the film. Apparently Anupam was so sure of the film that he did not feel the necessity to go for the rest 50 minutes of narration. “I agreed to do the film instantly because it dealt with humanity and I also believed in N Chandra that he will craft it beautifully,” he reasons.


Apart from Anupam Kher, it also stars Perizaad Zorabian, Purab Kohli, Rajpal Yadav, Smiley Suri, Rajit Kapoor, Atul Kulkarni, Seema Biswas, Milind Gunaji, and Sarika who are equally delighted to be part of Y.M.I.


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Bollywood’s hyper B-grade movie

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While Mohammad Ajmal Qasab’s trial is underway in Mumbai, our speed-driven Bollywood has already raced ahead with the verdict. In Surender Suri’s next film, titled Total Ten, Ajmal Qasab has already reached his end, one that Mumbai is eager to see, promises its producer. “We have had Qasab hanged at the end,” said Rajan Verma who plays Qasab.



The film, budgeted at a meagre Rs 3 crore, shows the ‘journey’ of Qasab and has all the characters in question. Sudesh Berry plays Vijay Salaskar, Homi Wadia plays Hemant Karkare, Ashok Kulkarni plays Ashok Kamte and Ashish Vidyarthi plays Tukaram Ombale.


The film also has a host of small-time actors playing Qasab’s Pakistani handlers while Aroon Bakshi plays Maulana Masood Azhar. “Every real-life detail has been followed in the film, beginning with their entering Mumbai by boat, surviving on dry fruits, carrying out their operations, etc,” says Verma.


The film has been shot in Mumbai and Pune, and outside the Taj Mahal hotel too. Much of it has been shot on actual locations, following the trail of disaster of 26/11. Verma said that initially he was scared to play Qasab, but was convinced by director Suri who told him the film gives out a strong message against terrorism.


While Total Ten is likely to be the first film to be released on the terror attack, it’s not the only one. Bollywood’s hyper B-grade movie industry is in the throes of churning out at least 15 films on the subject. As for the mainstream, most directors have stayed away after Ram Gopal Varma’s Taj visit fiasco which led to the ouster of then chief minister Vilasrao Deshmukh.


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The pigeon is quite a star in some Bollywood movies

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A scene from Maine Pyar Kiya


The pigeon is quite a star in some movies. Sometimes as the messenger of love. On others, a comedy-inducing prop. Thanks to his winged-status, he can be pretty symbolic too.we examines Bollywood’s legendary fascination with the fluttering creature.



Maine Pyaar Kiya


Postmen lack the personal touch that Bhagyashree and Salman Khan can avail of courtesy Handsome, the iconic pigeon to exchange ’pehle pyaar ki pehli chithis’ in Sooraj Barjatya’s romantic blockbuster. And so Kabootar ja ja it is.


A scene from Parinda


Parinda


One of Parinda’s most memorable scenes involves Anupam Kher getting shot at the hands of a bunch of hit men in broad day light, to the horror of hundreds of pigeons as well as Anil Kapoor who plays his best friend in the film. It’s a hard-hitting moment and the use of birds only heightens its overall impact.


A scene from Bombay


Bombay


The Gateway of India, a Mumbai landmark, is synonymous with the sight of pigeons. It also forms a stunning backdrop for Mani Ratnam’s dramatic visuals in the song picturisation of Halla Gulla.


A scene from Junoon


Junoon


Inspired by Ruskin Bond’s A Flight of Pigeons, Shyam Benegal’s compelling classic employs a set of pigeons to convey fascinating props in a Nawabi household. Be it as the recipient of the otherwise temperamental Shashi Kapoor’s tender, love and care, Nafisa Ali’s demure fondness, a subtle bond between the two or Naseeruddin Shah’s uncontrollable wrath.


A scene from Muhafiz


Muhafiz (In Custody)


In Ismail Merchant’s adaptation of Anita Desai’s novel, In Custody, Shashi Kapoor plays a disillusioned Urdu poet perturbed by the increasing modernisation around him. Playing upon the same are a bunch of sycophantic drink-buddies, more interested in the hospitality that follows than his actual creativity. Images of Kapoor weighed down by pigeons highlight the same.


A scene from Dilwale Dulhania Le Jayenge


Dilwale Dulhania Le Jayenge


Love me. Love my pigeons. That certainly seems to be the order of the day as far as stern Bauji Amrish Puri ’aao aao’ and wayward Dilwala’s phurr-phurr escapades with the ever-hungry pigeons go.


A scene from Jodhaa Akbar


Jodhaa Akbar


Though bound by royal tradition, decorum and rules, Aishwarya Rai Bachchan’s Jodhaa releases a bunch of pigeons to enjoy the high of freedom, sending the message of free will to an amazed Akbar [played by Hrithik Roshan] loud and clear in Ashutosh Gowarikar’s historical romance.


A scene from Bachna Ae Haseeno


Bachna Ae Haseeno


Getting a perfect shot with pigeon food placed on your arms can be quite stressful as Deepika Padukone discovered while filming the Khuda jaane ditty in Italy.


A scene from Awarapan


Awarapan


It is reported director Mohit Suri set around 700 pigeons free whilst shooting a sequence for Awarapan, which featured its leading lady Shriya Saran do the same on a much smaller scale.


A scene from Delhi 6


Delhi 6


Rakeysh Omprakash Mehra’s latest marks the debut of the rather capricious pigeon, Masakali. Not only does the vision in white has an entire A R Rahman creation dedicated to her. But she also gets to perch herself on Sonam Kapoor’s dainty head and hog a considerable footage in the film’s promos, publicity and press.


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Sharmila Tagore and Anupam Kher are paired together

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Nilima is a student of Presidency College. Joymohan is a lecturer. They are in love but must separate for certain reasons and meet after 10 years during a morning walk in Shimla. They are now married to different people. They take a trip down memory lane only to separate again. Their paths cross one more time 27 years later, during a morning walk on the streets of Mumbai. During this last stroll, Joymohan begins to suspect that he is probably the biological father of Nilima's daughter.
For the first time, Sharmila Tagore and Anupam Kher are paired together in a film.

Others in the cast are Nargis Bagheri who made a mark in Priyadarshan's Garam Masala as Sharmila's daughter and model Shayan Munshi who plays her fiancé. Rajit Kapoor plays Anupam's son and Divya Dutta plays his wife. Soumili Biswas and Tanmoy Sengupta play the young versions of Nilima and Joymohan respectively. Suman Ranganathan and little Avika Gor who is playing the title role on Balika Vadhu on Colours, are also in the film.
Arup Dutta's directorial debut Morning Walk is a Hindi film being shot in Kolkata because the story is set in Kolkata and opens during the disturbing days of the Naxalite revolution. Arup Dutta honed his skills in filmmaking with episodes for Balaji Telefilms and other production houses in Mumbai. The Kolkata-based Cinemawallah that also produced Rituparno Ghosh's Utsab and Titli besides producing Anjan Dutt's Bow Barracks Forever is producing the film.
"Morning Walk explores the relationship between Joymohan and Nilima and the title is significant because the morning walks form the backbone of the film's narrative structure, each time functioning as a catharsis in the lives of the man and the woman as they grow older with time," explained Dutta who is shooting at Kumartuli, Victoria Memorial, the Kolkata Race Course and Dakshineswar. The sound track comprised of a thumri sung by Rashid Khan and Shreya Ghoshal, has already been canned.



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